Imagine

Around this time of year, as the shops really start to crank up the Christmas machine, I am often struck by the decline in the standard of our public imagination. Christmas, of course, is entirely built out of inauthentic cliches, mainly borrowed ones. When, for example, did "red ribbon tied in a bow" come to signify "a Christmas gift" in this country? Angrily twisted sticky tape would be nearer the mark. I suppose it's no worse, as a signifier, than "snow". Do you remember the excitement when your favourite comic would arrive in the week before Christmas with the masthead topped with snow? And the baffling sense of anti-climax, when it never did snow before New Year?

But Christmas is not the only stimulus for my glumness, however. It really starts with the lead up to Remembrance Sunday. I think the concept of "the Tomb of the Unknown Soldier" is a piece of public imaginative theatre so brilliant and so moving that it brings tears to my eyes just thinking about it. We used to do it so well, didn't we? How could a country -- once capable of such an original, appropriate and unsentimental act of therapeutic symbolism -- sink so low?

Look around you at our civic, industrial and retail architecture. Everywhere, flat-pack buildings with all the aesthetic appeal of a carpet tile, all the pride and permanence of a closing-down sale; mere factory farms for the incubation of "imaginative and innovative solutions" that are nothing of the sort. Worse, look at these huge new national institutions we've had wished on us, like the National Lottery or Children in Need. How tacky, how predictable, how unworthy they are!



And then, this year, the Ashes series is about to be contested in Australia. Never mind the cricket, what an amazing idea that little urn of ashes was, what a focus of imagination and engagement it represents! Especially looked at from this era, when the iconic trophies and contests of sport have become mere brand vehicles for the highest commercial bidder. We have gone from stripey-blazered Corinthians to shell-suited chameleons in a couple of generations.

The private imagination, though, does seem intact. We're actually living through something of a Golden Age of the Arts. It's the public domain that seems to have atrophied; we're no longer giving it our best attention. Everything is now measured by "good enough", "just in time", "one size fits all", and above all, "value for money". That is, "bad", "late", "too small", and "cheap". It seems we're now prepared to sit back and watch hard-won public national treasures -- our Health Service, our Civil Service, our schools and universities, council housing, trades unions, legal aid (this list could get appallingly long) -- abolished, sold off, or irreversibly cheapened.

"Privatization" doesn't just mean flogging off the national family silver; it describes a nation retreating mentally and physically from the public arena into the private realm, watching comforting but unimaginative rubbish on TV while real rubbish blows uncollected in the pot-holed streets outside. Imagine!