The challenge of working with extreme contrasts in light intensity, which you get at this time of year particularly, has almost become a project in its own right. I've been refining a set of moves during exposure and processing that work well for me and my extremely casual (almost careless)
modus operandi; I don't think I could ever resort to a tripod, multiple exposures and HDR software. Nothing particularly clever or secret, merely shooting RAW, exposing for highlights, and making use of the tools within Photoshop Elements 6 like "Adjust Colour Curves". It helps, of course, if you're not afraid or ashamed of inky black shadows...


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